‘Pagla Ghoda’, written in the 1960s, takes on a new life in Mandala Theatre as it explores the tumultuous lives of four characters haunted by their dark pasts.

Mandala Theatre’s ‘The Rose: An Awakening Journey of Yashodhara presents an unconventional, dialogue-free exploration of Yashodhara emotional rollercoaster following Siddhartha Gautam’s departure.

Purano Ghar’s ‘Montage’ tells a relatable story addressing social issues, stereotypes and taboos.

Shilpee Theatre’s ‘Awoken Pillow’ examines the topic through a self-aware script, raw acting and beautiful choreography.

Katha Ghera’s newest production looks beyond the glitz and glamour of wedding preparations.

Mandala Theatre’s ‘Damini Bhir’ is an adaptation of the Madan Puraskar-winning novel of the same name by Rajan Mukarung.

Shilpee Theatre’s recent play ‘Tranzit’—written by Kumar Nagarkoti—is about a crummy playwright with a little too vivid imagination.

Mandala Theatre’s ongoing play ‘Hiu Bhanda Chiso’ transports the viewer to a night of existential frenzy at an isolated village in the far west.

Studio 7’s adaptation of Franz Kafka’s story ‘A Report to an Academy’ is an ode to the absurd and a poignant monologue on human frailty.

Kavya Art, in collaboration with Aarohan Gurukul, has adapted Indian playwright Mohan Rakesh’s 1969 play titled ‘Aadhe Adhure.’

One World Theatre’s rendition of ‘Macbeth’ fuses Shakespearean dialogues with Giuseppe Verdi’s opera, with dramatic results.

‘Chyattiyeko Parda’—which translates to ‘The Torn Curtain’— revolves around a father’s death and how each family member navigates the loss.

Purano Ghar Theatre’s ‘Che is Back’ tries to contextualise Guevara’s revolutionary spirit within the Nepali sphere, but something is amiss.

Go Win Productions’ adaptation of Arthur Miller’s ‘Death of a Salesman’ is emotionally charged and sincerely executed.

Shilpee Theatre’s new play revolves around a love affair between an older Chhetri woman and a Dalit boy.

Shailee Theatre repackages a Bhawani Bhikshu tale into a fun play.

One World Theatre brings Duerali Daandi to the stage from January 13 to 29.

The play carries the message of how every individual is unique with one’s own strengths and weaknesses.

The real beauty of this play lies in the things left unspoken and the things left hidden in plain sight.

Che Shankar’s theatrical adaptation of the novella ‘Ular’ stays true to the essence of the original medium but dares to lean into symbolism instead of realism.